DEL SHANNON, ROY ORBISON, GENE PITNEY, ELVIS – The ROCK-POP ICONS of the early 60s… One of the ‘extra’ tracks Jeff Lynne and Company’s cover of the great Del Shanon masterpiece, Runaway, becomes a tribute to not only Shannon but Wilbury’s own Roy Orbison and George Harrison, who appear in the great home movies included in this video. Now , lets hear the real thing , the original iconic song from its creator – and nobody
will ever do it better than…and then, some covers by Del himself and Pitney of the great Oribson classic, Crying. DEL SHANNON, here in a rare 1982 performance and reminisce with Burton Cummings
AND none other than ELVIS doing with a rare, unreleased ‘chalypso’ version of Runaway
WILBURYS Tribute to Del Shannon,Orbison and Harrison – RUNAWAY
Del Shannon ‘sends this one out to Orbison’… great heavy version of Orbison’s Crying… wonderful, soulful, big beat live performance shortly after Roy’s bassing and not long before Shannon’s own untimely demise:
Here is the front page of a music magazine published almost 20 year ago, deriding the Rock Hall of Fame for overlooking key talents (clockwise, from top right GENE PITNEY, NEIL SEDAKA, DEL SHANNON, CONNIE FRANCIS, THE SHIRELLES and BRENDA LEE. Since that time, Pitney , Shannon, the Shirelles and Brenda Lee have finally been inducted, but , amazingly, Neil Sedaka – who had two separate careers, in the 60s and 70s – and Connie Francis , who is the second if not best -selling female singer of all time- are still left out of the Hall, along with many notable names like Neil Diamond, Chubby Checker Paul Anka, Jan and Dean, Nary Wells, The Ventures, Lesllie Gore and most of the attached list (at left) and others you could probably think of… It’s always been an issue as to ‘What is rock and roll? ‘, but if they’re now letting in rap artists and heavy metal,blues and country artists its high time they considered the pop-meisters. Afterall, pop was the rock and roll in the 50s and 60s as was much of country music. Many no longer take the Hall seriously once learning that it is run by the head of ‘Rolling Stone’ magazine, a publication that has never really recognized any music prior to 1968, it’s inception, with rare exception. Early RS publications , for example , idsmissed Roy Oribson as a lightweight who hid behind dark clothes and glasses – that is, until Orbison returned to fame in the 80s, playing with some of Rolling Stone’s faves like Elvis Costello and Bob Dylan. Unlike some of the sports hall of fames, which put some actual ‘science’ to the test in selected members, the Hall is largely a popularity contest of music writers and publishers, largely of younger age. Prior to being inducted into the hall, the late great Gene Pitney once suggested they not keep nominating him every year but give his slot to a younger artist more likely to get in. Same for Del Shannon, who some say was very depressed after being overlooked many times. Since then, the Hall has become a joke, except to those who may have been inducted or prefer newer music to older.
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