‘ Bring Back Those Memories of El Monte’ Recalls Los Angeles’ Doowop Era

Art+Laboes+Memories+Of+El+Monte+Memories+of+El+Monte+Cover

 

 Memories of El Monte

– Zappa, Penquins Classic

Nostalgic Tribute to Los

Angeles’  ‘Happy Days’ Doowop

Era

 

Though the song ‘Memories of El Monte‘ came out in 1963,   after the doo-wop era,  it was a perfect  song collaboration of a young Frank Zappa and the Penguins ( of ‘ Earth Angel’ fame) .   Probably due to its late arrival, the song never was a hit on the charts but it’s become an ‘under-the-radar’ classic, especially for those who grew up during the era and remember ‘those wonderful dances in El Monte .’  What makes the song extra special are the   ‘drop in’  songs and mentions of  the popular, largely  Los Angeles- based groups  The Shields, the Five Satins, the Heartbeats, the Medallions and Tony Allen and of course, the Penguins so popular at the El Monte dances.  Famed Los Angeles DJs like Hunter Hancock, Art Laboe (who produced the song-see album cover above- and very much still with us) and Johnny Otis were instrumental in bringing about this music and live performances not only at El Monte,  where, notably, young folks of all races easily mixed.  Frank Zappa wonderfully chronicled these special times and memories , Cleve Duncan and the Penguins sang about them and the aforementioned DJs recounted them in concert and over the airwaves.  Laboe tells below how the Legion Stadium concerts came about, below.

 

Many years later -in the 1980s and 1990s, Brian Bierne of KRTH DID bring back memories of El Monte but at Los Angeles’ fabled Greek Theater with ‘Legends in Concert  ‘  for one night every year, in October. Though we never saw the original El Monte Legion Stadium,  we could imagine what it was like as nostalgia flowed at the Greek with long-forgotten artists such as TONY ALLEN, GENE CHANDLER, JIMMY JONES to name a few and many more mostly long forgotten one-hit wonders -many of whom hadn’t performed in decades – were brought back for one special night, once a year in October, until that suddenly stopped. (Will have an article on that to come. Bierne continues to host mostly oldies tribute concerts, but nothing like the aforementioned.)

 

MEMORIES OF EL MONTE  written by FRANK ZAPPA and performed by CLEVE DUNCAN and the PENGUINS  (1963)

I’m all alone.
Feeling so blue.
Thinking about you
And the love we once knew.
And each time I do,
It brings back those memories
Of El Monte.

Remember the dance.
I held you so tight.
The Satins were singing
In the still of the night.
You gave me your heart
And your love undying.
Now I’m alone…
I’m sitting here crying.

 

If only they had
Those dances again,
I’d know where to find you,
And all my old friends.
The Shields would sing…
“You cheated. You lied…”
And the Heartbeats…
“You’re a thousand miles away…”
And the Medaillons with “The Letter” and…
“Sweet words of his mortality…”
Marvin and Johnny with…
“Cherry Pie…”
And then, Tony Allen with…
“Night owl…”
And I, Cleve Duncan, along with the Penguins,
will sing…
“Earth angel
Earth Angel
Will you be mine?”
At El Monte.

 

If I could go back
To those days of the past,
I’d show you a love…
A love that would last.
Oh, I remember
Those wonderful dances
In El Monte.
In El Monte.
“Earth angel
Earth Angel
Will you be mine?”
At El Monte

Art Laboe and the

El Monte Legion Stadium

Art Laboe

If Ol’ H.H. was the father of R&B radio in Los Angeles…Art Laboe can be credited as the father of Rock N’ Roll radio in the City of Angels. In 1955 Art made his debut in Los Angeles as a deejay for radio station KXLA, although Hunter Hancock had been in Los Angeles playing rhythm and blues for some time, Laboe was the first to play Rock N’ Roll. In 1950 Laboe started doing his shows from Scrivner’s Drive-In Restaurant chain (then only numbering three). As the chain grew so did Art’s audience, his live dedication shows drew groups and car clubs from all corners of Los Angeles County. At the time most of the drive-ins could only support about thirty cars. Art needed more room so Scrivner’s built a huge drive-in on Imperial and Western that could accommodate 200 cars; the hill top restaurant may have been the first low rider Mecca in the county. Art claims his connection with the people of Los Angeles especially the Chicano community started during his time at Scrivner’s. Teens had a place where they could listen to “their” music and also a place to be heard, Laboe claims to have aired 25,000 dedications from the restaurant chain in five years. His popularity prompted concert promoter Hal Zieger and bandleader Johnny Otis to hire him to emcee their live shows. At his first show held at the Shrine Auditorium some time in 1957 Art received such a favorable response that he became a regular, hosting shows at the Orpheum, United Artist and paramount Theaters. During this period Art also started to emcee dances on the outskirts of Los Angeles’ city limits. Dances for teens held within the Los Angeles City limits required a permit from the school board and Art wanted his dances for all ages so he used dance halls in neighboring cities. Although dances were held in Anaheim, Long Beach and San Bernardino it was El Monte, which eventually became his headquarters. Laboe rotated his schedule weekly with El Monte Legions Stadium getting a show every other week. The best in rhythm and blues talent, both national and local were booked at his shows. According to Laboe “We always had our local groups the Penguins, the Carlos Brotheres, Jesse Belvin, the Turks, Bobby Day and Rosie and the Originals, then we would reach out to the groups from the East like Chuck Berry, Jackie Wilson and the Drifters it was all about good times.” The good times continued after the dances were over, car clubs would pack the street around the dance halls showing off their cars and trying their luck with the girls which came streaming out of the dance hall. Not only was El Monte Art Laboe’s weekend headquarters, it also became a magnet for Black, White, Chicano youth and aspiring rock n’ roll stars. Cannibal and the Headhunters, the Jaguars, the Premiers, The Carlos Brothers, the Salas Brothers, Ritchie Valens and Thee Midniters were just a few of the Chicano groups from Southern California’s barrios that performed at El Monte.

L.A. TIKI Palaces come in many styles – Bars, Restaurants and Apartments

Probably our favorite of the many Tiki Palaces in Southern California is Bahooka,  perhaps the only Tiki restaurant in the area. Originally built

in the late 60s its maintained a loyal following, according the current and only second owner.  The place looks like Trader Vics meets Robinson Crueso.  As one walks in a darkened room you only see the lights of hundreds of fish tanks lining the dining room wallssafdasdwalls.wall

walls.  Artifacts of you-name-it cover the ceiling and walls. One can spend hours there for sure. The food is very good, too, tiki fare of ribs and sweet potatoes is the specialty! The movie industy has discovered this place, too, now, so be aware of crowds. Not far down Rosemead Blvd, I think it is, you will find three sets of that are very much worth stopping by.  Another must-see would be the Tiki Ti bar in Hollywood. This small but authentic palace also has a loyal following so no guarantees you’ll get a seat.  Another Tiki aparmentsnifty fifties spot along the way was this old drive-in movie, er, sign. Only thing left is this incredible sign for the Starlight, one of the many  departed drive-in theaters in CA -and, who knows if even the sign is still there two years later.